Artful Blasphemy is still clearly on the Holiday Break, given how relaxed I appear…
Sweater: Very vintage metallic and wool. It has a matching skirt that pushes it into very formal (and extremely warm). From the 60s or 70s, tags read Bonwit Teller Fredericks Sport. Uber Glam.
Throwing in vintage pieces is a big part of what keeps Artful Blasphemy’s style unique; no one else has that piece except me, which keeps things fresh and interesting. Many people reject vintage as being expensive, which it can be, or imperfect.
Most of my vintage was acquired at yard and estate sales, or in local thrifts that don’t know (or necessarily care) what vintage might be worth on Ebay or Etsy. I don’t pay top dollar for vintage, ever, because let’s face it—we are all going to drown in clothes someday.
As far as imperfect goes, well, nothing is perfect. Vintage clothes have history and a missing button or minor imperfection is part of that history. For example, I have a coat from the 1890s. Yes. It’s over 100 years old. It has some moth damage to the coat, and a lady once said to me, disparagingly, “It’s too bad that had damage,” to which I replied, “I doubt you will look this good at over 100 years old, so I’m okay with it.” People who are looking for flaws will find them, and frankly you and I? We don’t need them in our lives.
Top: American Eagle
Skirt: Cabi, from Buffalo Exchange. Artful Blasphemy loves everything about it except that it gets wretchedly staticky.
Born Boots.